Subwoofer Wiring Diagrams  Product Compatibility ChartChoosing an amplifier that can properly power your speakers or subwoofers is a critical step in choosing your system. Too little power and you may not get the performance that you are looking for and too much power can cause damage to your components. RMS power handling and impedance are two critical specifications that have the greatest impact on overall system performance and compatibility. Click the Amplifiers to Speakers link below to see a chart that matches MTX amplifiers to MTX speakers and click the Amplifiers to Subwoofers link to see a chart that matches MTX amplifiers to MTX subwoofers and the corresponding correct impedance. For help with wiring your subwoofers see the Subwoofer Wiring Diagrams section.
Choosing Power Wire for your Amplifier
Using the proper gauge and type of power wire is critical to getting the best performance from your MTX amplifier. All wire offers resistance between your battery and amplifier. Increased resistance leads to a decrease in voltage and ultimately wattage being sent from the amplifier to the subwoofers. This leads to a reduction in the performance of the system. First things first, it is always best to use the largest gauge wire that your amplifier supports. For example, if you have a 1000W RMS amplifier that has a 1/0 AWG power terminal you should use 1/0 AWG power and ground wire rather than a smaller 4 AWG wire to maximize the amplifier's performance. You should also make sure that the wire you are using is fully stranded. This means that the wire manufacturer is providing you with the full amount of copper wire according to the American Wire Gauge standards, some manufacturers give you less wire and more jacket which will give you less current. MTX recommends StreetWires ZN5 amplifier kits for full gauge, 100% oxygen free copper power and ground wire.
For example, if you have a class D mono block amplifier that does 1000W RMS power at 2O connected to a battery and alternator supplying 14.4V power to the amplifier
- You would lose 23.6W at the amplifier using 20 feet of 1/0 AWG power wire
- You would lose 60.7W at the amplifier using 20 feet of 4 AWG power wire
- You would lose 149W at the amplifier using 20 feet of 8 AWG power wire
As you can see in this illustration, the ability of your amplifier to properly power your subwoofers drastically reduces as you decrease the size of the power cable you use. Undergauged or inferior quality wire would reduce the output of the amplifier even further. Use the demo above to see how voltage and wattage are related and also to see the difference between wire like StreetWires ZN5 and other non 100% OFC wiring. Subwoofer EnclosuresChoosing a subwoofer enclosure is an integral part of system design as there are many factors that can influence the final sound and performance of your system. Enclosures are generally made of wood or fiberglass. Wood enclosures are most often created using Medium Density Fiberboard (MDF). The thicker the MDF that is used in construction will result in a stronger enclosure that can handle bigger more powerful subwoofers. Wood enclosures are generally less expensive and more universal than fiberglass enclosures. Wood enclosures are usually squares or rectangles and are the familiar "box" that most people consider a subwoofer enclosure to be. Fiberglass enclosures can take on many different custom shapes and colors to better personalize your installation. For more information on how to construct an enclosure for a specific MTX subwoofer please visit our Manuals/Install Sheets Section. Volume Displacement CalculatorAmplifiers - RMS vs Peak PowerSystem Power CalculatorThis spreadsheet is designed to be a tool to help you understand the affects that alternator amperage, battery voltage, and wire gauge have in relation to aftermarket audio equipment. This will help you customize the perfect MTX system for your vehicle's electrical system as well as your budget. How to Set Your Gain Using Ohm's LawIn this video, Arthur an engineer from MTX, shows how to properly set the gain on your amplifier using Ohm's law. In this example he knows the RMS power of the amplifier and the impedance (Ω) of the subwoofer enclosure. He uses this information and a multimeter that measure AC current to properly set the gain control on his amplifier to the proper RMS output power. Subwoofer Impedance and Wiring ExamplesIn this video we explain the difference between single and dual voice coil subwoofers and we cover some of the wiring options to correctly match your subwoofers to your amplifiers. Subwoofers: RMS Power, Sensitivity, and SPL
Sound - What Is It?
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| Sound Waves |
| Sound Waves |
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| Octaves and Harmonics |
| Octaves and Harmonics |
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| SPL |
| SPL |
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| Imaging |
| Imaging |
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A Sound wave can be described by two basic characteristics, the speed of the vibration (Frequency), and the extent of the vibration (Amplitude).
When a speaker moves forward, backward and back to its original position, this is called a cycle. Frequency is determined as to the number of cycles per second. It is labeled Hertz (Hz) after an early scientist in the field of acoustics. Diagram 1 is a graphical representation of a sound wave. The top half of the curve is where pressure increases, the bottom half is the decreasing of the pressure.
It has been determined that sound travels through air at sea level at a speed of 1128 feet per second. The wavelength is the distance a sound travels in one cycle. This distance can be determined by dividing 1128 by frequency. With this formula we determine that a 20 Hz note is 56.4 feet long. On the other hand a 20kHz (20,000 Hz) is .056 feet which is about 5/8 of an inch. Understanding this relationship between distance and soundwaves will be important in understanding how we hear, and therefore how to properly set up a sound system.
Yet another description of the soundwave is phase. Phase refers to the pressure change of the soundwave at a certain time and place. Once again, refer to diagram 1, and see how the first part of the curve is above the zero line. This is known as positive phase (increase of pressure). When the curve is below the zero line, it is known as negative phase (decrease of pressure). When Two or more waves combine the combination can be referred to as being in phase or out of phase. In phase means that the soundwaves are combining to form a wave that is larger than either of the two. When the waves are out of phase, meaning the phase of one wave is positive and the other is negative, they will subtract from each other, therefore reducing the pressure level. Soundwaves are constantly interacting with one another and creating what is known as a complex wave. All musical instruments create complex sound waves. The instruments combine waves to create the sound that makes them unique.
An octave is a doubling or halving of frequency. One octave up from 100 Hz is 200 Hz, where one octave down from 100 Hz is 50 Hz. A harmonic is a doubling (2nd harmonic), tripling (3rd harmonic), quadrupling (4th Harmonic... etc) of a fundamental frequency. Musical instruments (with the exception of synthesizers) do not create pure tones. The fundamental (main frequency) is combined with its harmonics at various levels to create the sonic signature of that instrument.
Our ears have a tremendous ability to evaluate sounds that range from very soft to very loud. The decibel (dB), named after Alexander Graham Bell, is a method of describing acoustic pressure, without having to deal with the billion-fold range of sound pressures to which our ears are sensitive. A Bel is the difference in loudness produced by a ten fold increase in power.
A decibel is 1/10th of a Bel. A doubling of sound pressure level (SPL) is a 10 dB increase, where a halving of SPL is a 10dB decrease. The human ear can detect differences as small as 1 dB, however 3dB is commonly referred to as a level where a change is readily apparent.
A doubling of power input into a speaker will produce a 3dB change in output, a doubling of cone area will result in a 3dB increase over that of a single driver.
A doubling of distance from a sound source reduces SPL by 6dB
By comparing arrival times at both ears, our brain can determine the direction from which a sound came from. A sound arriving at both ears simultaneously tells our brain that the sound is centered either in front, above, below, or behind us. The brain then looks at the frequencies received, and compares these frequencies with sounds that we have heard before. When the brain remembers a sound like the sound it just heard, it looks at the late soundwaves that arrived at the eardrum that were reflected off the outer ear. This process allows us to perceive height. When a soundwave comes from behind, the soundwave must pass through the pinna. This causes a filtering of high frequencies in comparison with reflections off of walls, ceilings, and floors. This is what allows us to localize sound sources behind us.
It becomes increasingly difficult to localize sound sources as the frequency decreases. This is due to the wavelength being so much larger than our heads, that it becomes difficult to differentiate between the arrival times at our ears. This effect keeps us from localizing pure tones below around 100 Hz. If the sound source is not pure, however, and there are harmonics associated with the source, we can localize these sounds and therefore localize the source.
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Electronics
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| Electrons |
| Electrons |
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| Current |
| Current |
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| Potential |
| Potential |
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| Resistance |
| Resistance |
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| Power |
| Power |
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| AC/DC |
| AC/DC |
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| Resistors |
| Resistors |
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| Capacitors |
| Capacitors |
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| Inductors |
| Inductors |
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| Semiconductors |
| Semiconductors |
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Atoms are made up of three smaller particles; protons, electrons, and neutrons. Electrons have a unit negative charge, protons have a unit positive charge, and neutrons have no charge. Usually there are an equal number of protons and electrons in an atom yielding a net zero charge. When some kind of energy (electromagnetic, chemical, etc.) is applied, some of the electrons may be broken free, thus leaving an imbalance of protons and electrons in the atom. This will result in the atom having a net positive charge
The movement of free electrons from one atom to another is called current flow. Current always flows from negative to positive. A good analogy can be made with a water hose. The hose may be considered a conductor, and the water moving electrons. The current, measured in amperes, would be the volume of water passing by a point along the hose in a given amount of time. The higher the volume, the more current.
For current to flow, there must be a potential difference between two objects. This potential difference is created from an excess of electrons at the source, and a lack of electrons, or positive charge, at the destination. Using our hose analogy, the potential difference, measured in volts, would be the pressure of the water within the hose. The higher the pressure, the more potential difference, and the higher the voltage.
It also can be shown that a larger hose can move a greater volume of water (more current) than a smaller hose. This would correspond to the size of the conductor. A wire conductor’s size is called its gauge. The smaller the number, the heavier the gauge, and the larger the wire. Heavier gauge wire can conduct more current than a smaller gauge.
Most all conductors exhibit a property called resistance. Resistance impedes the flow of current. It is measured in units called Ohms. With the water hose, resistance could be regarded as friction between the water and the hose. A larger hose would create less friction and have a lower resistance than a smaller hose.
Power is the amount of work done in a specified amount of time. The electrical unit of power is the Watt.
Referring back to our water hose, the flow of water can be considered to be Direct Current (DC), meaning that current always flows in the same direction. If the valve that controls the volume of water flow could also change the direction of the flow, it would be called Alternating Current (AC). In general, audio signals are AC, and Battery Voltage is DC.
The resistor is a device that resists, or limits current flow. Their value is specified in ohms. A resistance to current flow creates heat, and as such, these devices have a maximum power dissipation, rated in watts. Placed in series with a voltage source, they limit current to a device. In parallel with a voltage source they make up a voltage divider. A potentiometer is a special type of resistor which, when the shaft is rotated, changes resistance via a sliding contact arm. They are used as volume controls, gain matching controls, etc.
A capacitor is a device that resists change in voltage. It stores a charge. For our uses it will pass AC but not DC (while it is charging it will pass DC). Their value is expressed in Farads (or more commonly in microfarads). They have a working voltage (called DCWV) that must never be exceeded. They can be found in both polarized and nonpolarized versions. The most commonly used types are the electrolytic, mylar and poly (polypropylene, polystyrene, polyester). They are used primarily for filtration (in power supplies), noise suppression, and speaker crossovers.
For noise suppression, a capacitor is placed between the alternator, or component power lead, and ground. This will present an open circuit to the 12 volts DC once the cap is charged, but will provide a short circuit for the small AC “ripple”. Polarized electrolytics are most commonly used. They are much cheaper than the other types, especially in larger values. A minimum of 25 DCWV is needed for safe operation in a 12 volt system. Another use for the capacitor is in speaker crossovers. Although they pass AC, their impedance is inversely proportional with frequency. Placed in series with a speaker, it forms a 6dB / octave high-pass filter. A nonpolarized capacitor must be used.
Electrolytic caps are the cheapest for their size. If using electrolytics for crossovers be sure that the DCWV is at least 100 volts for amplified systems. Using a cap with too small of a working voltage will usually cause the cap to explode. Mylar caps are a bit more expensive than electrolytics of the same value, but offer higher reliability and sonic improvement. Metalized film poly caps are very expensive, but offer the highest sonic quality in critical listening applications.
An inductor is a device which resists change in current flow. Usually it has a low DC resistance but a high AC impedance. This means that it passes DC well, but does not pass AC easily. It is electrically opposite to the capacitor. Its value is expressed in Henries (more commonly milliHenries). There are two major types of inductors, air core and iron core. The other important factor is the gauge of wire that is used to make the inductor. The heavier the gauge, the less signal loss and the higher the current capability. For a given value and wire gauge, air core inductors are more expensive, but they do offer some benefits. The greater the current flowing through an inductor, the larger the magnetic field produced. With iron core inductors, there is a point where the core saturates and no greater field may be produced. At this point, severe distortion sets in. Air core inductors for the most part do not exhibit saturation.
An inductor’s impedance is proportional to frequency. They are used in noise suppression and speaker crossovers. Placed in series with a speaker, it forms a 6 dB / octave low pass filter. Placed in series with a components B+ lead, they will suppress noise.
A diode (or rectifier) is a semiconductor which allows current to flow in only one direction. It can be used to change (rectify) AC into DC. The two leads of a diode are labeled anode and cathode. A diode is said to be forward biased when its cathode is at least .7 volt more negative than its anode. A diode is reverse biased when its cathode is not at least .7 volt more negative than its anode. Forward biasing a diode causes current to flow, and reverse biasing causes no current to flow. Although there are numerous types of diodes, the ones of interest to the mobile electronics installer are power diodes, or rectifiers. A rectifier’s value is expressed in amps, and is the maximum forward current which the device can safely handle.
There are other parameters which are of importance when selecting a rectifier. The peak inverse voltage (PIV) is the highest voltage which can be present while the rectifier is reverse biased.
Transistors are semiconductor devices which either act as current amplifiers, voltage amplifiers, or switches. The two most often used in mobile electronics are the bipolar and the metal oxide semiconductor field effect transistor (Mosfet). They act as “valves” where a small change in control current or voltage on the input yields a great change in current or voltage at the output.
The chief disadvantage to using bipolar transistors is “thermal runaway”. Thermal runaway is characteristic of bipolar transistors which causes more current to flow when the transistor gets hot. As more current flows, more heat is dissipated allowing even more current to flow. This cycle continues until the transistor destroys itself.
Mosfets are more similar to vacuum tubes in operation than bipolar transistors. They are transconductance devices, which means that the input works on voltage only without the need for current. They have extremely high input impedances. They act primarily as voltage amplifiers. Mosfets do not exhibit thermal runaway like bipolars do, as when Mosfets get hot, they actually allow less current to flow.
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Speakers
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| Excursion |
| Excursion |
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| Power Handling |
| Power Handling |
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| Thiele/Small |
| Thiele/Small |
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How loud a speaker can play depends on how much air it can move without overheating. How much air can be moved is determined by the surface area of the cone and the excursion capability of the motor system.
Xmax is defined as the width of the voice coil that extends beyond the front plate (See Diagram 2). This relates to how far the speaker can move in either direction without appreciable distortion.The amount of power required to move a speaker to its maximum excursion is referred to as the displacement limited power handling. Please note that this number varies with enclosure size and frequency.
Loudspeaker power handling ratings are one of the most commonly quoted, but most poorly understood of specifications given by loudspeaker manufacturers. It seems that every company has its own way of measuring and specifying power handling. That’s because Marketing departments are always looking for ways to be able to list higher numbers for power handling in order to impress their customers with the apparent ruggedness of their products. It is sometimes difficult for product users to understand how these specifications relate to real world amplifiers or how they relate to the way they listen to their favorite kinds of music on loudspeaker systems. Loudspeakers fail in one of two ways - mechanically or thermally. Mechanical failures occur when one of the moving parts of the speaker such as the surround, spider, or cone become fatigued, tear, or break from the effects of continued long excursions. Thermal failures occur when the electrical power dissipated in the voice coil as heat causes the adhesives holding the turns of voice coil wire together to break down, or the insulation on the wire to fail, resulting in shorted turns. Also, the wire itself can melt, which means an open voice coil, or the coil support can melt or burn, again meaning failure of the loudspeaker.
For many years at MTX, we have been power testing loudspeakers using pink noise band limited from 20 Hz to 20 kHz and crest factor limited to six decibels (four to one peak to average power ratio). Loudspeakers are tested in free air, without an enclosure, for a period of eight hours, and must pass this test without a permanent change in performance characteristics. This is a very conservative test, resulting in realistic power handling ratings, and allows in-house direct comparisons of the power handling characteristics of different models in our various product lines. However, because the speaker is tested in free air without the benefit of an enclosure to add stiffness to the suspension, and the test signal contains full power signals down to 20 Hz, this is very severe mechanically for the driver. Since voice coil excursions must quadruple for every halving of frequency to produce the same acoustic output, surrounds and spiders are quickly stretched to a maximum. As a result, a majority of speaker failures are mechanical, without having stressed the voice coil thermally.
On the other hand, many audio companies ascribe to the Electronic Industries Association (EIA) standard for loudspeaker power testing called RS-426A. This test calls for a white noise signal to be applied to a band limited filter from 40 Hz to 318 Hz with a six decibel crest factor. However, the resulting signal, when displayed on an RTA or any constant percentage bandwidth analyzer, has a bandwidth from approximately 500 Hz to 8 kHz with a peak near 2 kHz. This means that it has relatively little low frequency content. The other test conditions include operation in free air without an enclosure, and a test period of eight hours. While useful for testing general purpose loudspeakers, it has limited application with large woofers. In addition, because its test signal is centered around 2 kHz, where the impedance of most woofers has risen to two or three times its nominal value, the actual power delivered to the speaker is much less than is indicated by the calculation of power using the nominal impedance. The result is that most failures using this test are thermal and the applied voltages required to cause the failures are excessive and difficult to generate with normal power amplifiers. More importantly, the power handling ratings that come from this type of testing are unrealistically high and do not represent actual usage conditions.
Some companies, including MTX, have recognized the need for a better method of testing and rating the power handling of loudspeakers. A committee of members of the EIA have developed a new test signal based on a cross section of the spectral content of recorded music. For several months, power testing at MTX has been done using this new test signal which has been proposed as a “B” revision for the RS-426 standard. The test signal has a flat response from 40 Hz to 1 kHz, with a three decibel per octave rolloff from 1 kHz to 10 kHz, and with a rapid rolloff above 10 kHz and below 40 Hz. In order to encourage its widespread use by loudspeaker manufacturers, the EIA has made the proposed “B” version test signal available on compact disc. The other conditions of the test remain the same as before, the signal being crest factor limited at six decibels, with the driver in free air, for a duration of eight hours.
The results of testing loudspeakers in this way has been to stress drivers both mechanically and thermally to nearly the same extent, with a test signal that is a close representation of real music. The power handling ratings that would result give the customer a very good idea of the size of power amplifiers that could be safely used with a given loudspeaker.
Because of the excellent testing results which have been obtained using this proposed revision of EIA RS-426, MTX has decided to adopt it as a standard within our company. All power handling ratings published on new loudspeaker products will be based on this internal standard.
Since the use of the term “RMS power” is so widespread in our industry, even though its meaning is ambiguous, MTX has decided to continue its use while assigning it a real definition. “RMS power” listed on MTX loudspeaker data sheets will be the power the speaker withstands under the test conditions of the proposed RS-426B standard. In the same way, the term “peak power” has been misused with an even wider variation of so called definitions (or sometimes no definition at all). MTX data sheets will drop the term “peak power” in favor of the phrase “total power” which will be a maximum of four times the “RMS power” rating in order to reflect the amplifier power required to test the speaker under the conditions of the new standard. This is based on the dynamic range of the test signal being limited to a crest factor of six decibels, which corresponds to a power ratio of four times.
It is hoped that the adoption of these terms as defined will end some of the confusion about loudspeaker power handling and give our customers useful information to help them in selecting power amplifiers to be used with the speakers in their audio systems.
Loudspeaker power handling ratings that have been discussed here are based on standard tests intended to simulate actual use conditions as closely as possible, while still being reasonably practical for the manufacturer to perform. However, customers will typically use drivers in some kind of enclosure, whether it be sealed, vented, or bandpass. The size and type of enclosure will help to determine the mechanical power handling limit of the driver based on its maximum linear displacement. The customer should always determine the power and frequency limitations for his particular driver/enclosure combination before using them with large power amplifiers. Many of the popular computer enclosure design programs can provide this information, or MTX customer service personnel will be glad to help with recommendations for specific drivers and enclosures.
Research done in the study of loudspeakers has been conducted by a number of individuals. The works of Neville Thiele and Richard Small are considered to have the most impact on the loudspeaker design field.
A method was found, so that one could predict the frequency response performance of a loudspeaker system, based on its physical characteristics.
The Physical Characteristics of a speaker are: Re: The D.C. resistance of the voice coil measured in Ohms. Sd: The surface area of the speaker’s cone. BL: The magnetic strength of the motor structure. Mms: The total moving mass of the speaker including the small amount of air in front of and behind the cone. Cms: The stiffness of the driver’s suspension. Rms: The losses due to the suspension.
By understanding the relationship of these physical parameters and how to change them, we may alter the response parameters to fit the desired goal.
The Thiele/Small Response parameters are: Re: The D.C. resistance of the voice coil measured in Ohms. Sd: The surface area of the speaker. Fs: The resonant frequency of the speaker. Qes: The electrical “Q” of the speaker. Qms: The mechanical “Q” of the speaker. Qts: The total "Q" of the speaker. Vas: The volume of air having the same acoustic compliance as the speaker’s suspension.
Understanding the response parameters allows us to calculate the predicted frequency response of a given speaker system. The formulas that accomplish this are rather lengthy and complex, and are best left to a computer. There are a number of high quality computer programs on the market that automate the design process of building an enclosure.
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Glossary
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| Decibel |
| Decibel |
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| Damping Factor |
| Damping Factor |
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| Driver Volume |
| Driver Volume |
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| Enclosure Volume |
| Enclosure Volume |
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| Hertz (Hz) |
| Hertz (Hz) |
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| Impedance |
| Impedance |
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| Net Volume |
| Net Volume |
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| Power Handling |
| Power Handling |
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| Sealed Volume |
| Sealed Volume |
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| Vented Volume |
| Vented Volume |
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| Volume |
| Volume |
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| Xmax |
| Xmax |
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| Wiring |
| Wiring |
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The basic unit of measurement in electronic and acoustic work. It is a logarithmic scale to express the difference between two values. For simplicity, it can be regarded as a measure of relative loudness; for example, in frequency response measurements.
The ability of an amplifier to control the load without overhang. This applies to how tight the bass is. Usually the higher the number, the better, although it is debatable if anything over 50 is audible. Damping factor is calculated by dividing the load (speaker) impedance by the output impedance of the amplifier. Thus, a given amplifier’s damping factor will decrease as the speaker’s impedance decreases. This means an amp running at 4 ohms will provide tighter bass than at 2 ohms.
The amount of enclosure airspace that is displaced by the speaker itself.
The total amount of internal airspace of an enclosure. This includes the net, driver and vent volumes.
The unit of measurement for frequency. 1 Hz is equal to one cycle per second, or the complete cycle of an alternating wave form per second.
(measured in Ohms) The total opposition to the flow of alternating current in an electrical circuit. The measure of the magnitude of an electrical load when using alternating currents, such as in audio. It describes the combined effect of resistance, capacitance and inductance.
The amount of airspace that is enclosed within the enclosure. This does not include the airspace taken up by bracing, vents, or the speaker itself.
(Measured in watts RMS) It is the continuous sine wave power that can be dissipated by the voice coil/magnet assembly without failure. Most speakers fail because the amplifier is driven into hard clipping. Hard clipping produces square wave distortion which can be considered DC. Voice coils are not designed for DC because music is AC. Hard clipping is difficult to identify in subwoofer systems because it is very hard to hear the results of square wave distortion at lower frequencies.
The amount of enclosure airspace on one side of a woofer in a bandpass system that acts as a sealed enclosure.
The amount of enclosure airspace on one side of a woofer in a bandpass system that acts as a vented enclosure.
(Enclosure, Internal - measured in Cubic Inches, Feet or Meters) The result of the product of three linear measurements. Length times width times depth or height, (LXWXH). Volume describes a loudspeaker enclosure size.
(Measured in inches or millimeters) It is the measure of a speaker cone’s maximum excursion in one direction while maintaining a linear behavior.
(Series or Parallel) How two or more speakers are wired together to form a mono system. The wiring of two or more drivers can affect impedance for the whole system. Care must be taken to assure that the resulting impedance does not exceed the amplifier’s requirements.
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Amplifiers
| 1000XD |
| 300XD |
| 502X |
| 504X |
| 600XD |
| 702X |
| 704X |
| JH1200 |
| JH202 |
| JH300 |
| JH404 |
| JH600 |
| JH805 |
| RFL1200D |
| RFL202 |
| RFL300D |
| RFL404 |
| RFL600D |
| RFL805 |
| RT1000D |
| RT250D |
| RT500D |
| RT602 |
| RT604 |
| TA7402 |
| TA7801 |
| TA7804 |
| TA81001 |
| TA92001 |
| TD1000.1D |
| TE1004 |
| TE1501D |
| TE4001D |
| TE404 |
| TE601D |
| TE602 |
| TE604 |
| TE801D |
| TH1200.1D |
| TH350.1D |
| TH650.1D |
| TH90.2 |
| TH90.4 |
| TN200/2 |
| TN250/1 |
| TN400/4 |
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SubWoofers
| FPR10-02 |
| FPR10-04 |
| FPR12-02 |
| FPR12-04 |
| JH4510-04 |
| JH4512-04 |
| JH5512-04 |
| RTL10-04 |
| RTL10-44 |
| RTL12-04 |
| RTL12-44 |
| RTL15-04 |
| RTL15-44 |
| RTS10-04 |
| RTS10-44 |
| RTS12-04 |
| RTS12-44 |
| RTS15-04 |
| RTS15-44 |
| RTS8-04 |
| RTS8-44 |
| T810-22 |
| T810-44 |
| T812-22 |
| T812-44 |
| T815-22 |
| T815-44 |
| T8510-04 |
| T8510-44 |
| T8512-04 |
| T8512-44 |
| T8515-04 |
| T8515-44 |
| T9510-04 |
| T9510-44 |
| T9512-04 |
| T9512-44 |
| T9515-04 |
| T9515-44 |
| T9922-22 |
| TN10-04 |
| TN12-02 |
| TN12-04 |
| TR4510-04 |
| TR4512-04 |
| TR4512-44 |
| TR4515-04 |
| TR4515-44 |
| TR5510-04 |
| TR5510-44 |
| TR5512-04 |
| TR5512-44 |
| TR5515-04 |
| TR5515-44 |
| TR7510-22 |
| TR7510-44 |
| TR7512-22 |
| TR7512-44 |
| TR7515-22 |
| TR7515-44 |
| TS5510-22 |
| TS5510-44 |
| TS5512-22 |
| TS5512-44 |
| TS8510-22 |
| TS8510-44 |
| TS8512-22 |
| TS8512-44 |
| TS9924-22 |
| TT6510-02 |
| TT6510-04 |
| TT6512-02 |
| TT6512-04 |
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Speakers
| TX6 |
| TXC.1 |
| TXC5.1 |
| TXC6.0 |
| TXC6.1 |
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Do I need to add a capacitor or extra battery to my system?Adding amplifiers to your vehicle will put an additional burden on your vehicle's electrical system. This may result in dimming dashboard or headlights especially when extremely loud bass notes "hit". This extra burden can also affect the performance of your system which can be noticed in excessive overheating and shutting down of the amplifiers in the system. Often times adding a capacitor or battery is the quick solution to the problem but it may not be the best solution. For example, a 2000W RMS amplifier will potentially draw up to 240 amps of current depending on the design and efficiency of the amplifier. Even though the normal operation of the amp will probably run less than that on average, even half of that, 120 amps, is more than most vehicle electrical systems supply to run the entire vehicle. Most stock electrical systems use alternators that are between 60 and 120 amps. Even if you add capacitors or batteries your stock alternator will still limit the amount of current that can be sent to the batteries and caps. Although upgrading your alternator may be more expensive, in the long run your system and vehicle's electrical system will perform much better than just adding a capacitor or battery. Consult your local specialist installer or call 1-800-CALL-MTX for advice on current draw from your amplifier to see what would work best for your system. Should I upgrade the power wire between my alternator and battery when I install my system?In some vehicles, the wire size used by the
factory between the alternator and the battery is calculated to limit the
amount of current that can be drawn from the alternator. This can protect the
alternator from excessive draw due to a bad cell in a battery or multiple
batteries in the circuit. Upgrading the ground wire is a good practice but you should only upgrade the wire between the alternator and battery if the alternator is upgraded to a high output unit. If you are using a factory alternator, it may be best to
assure that the factory wire is in good condition and then leave it alone to so as to avoid damaging the alternator. What is the difference between a capacitor and a battery?Capacitors and batteries are often added to audio systems in order to help overcome vehicle electrical system shortcomings. Capacitor - A capacitor in a system is designed to help an amplifier to compensate for transient current peaks, it is not a power supply. Battery - A battery in a system is designed to allow extended play time when the engine is not running. A battery will be an additional load on the charging system. Alternator - Your vehicle's alternator supplies the actual current to the vehicle's batteries and consequently the sound system. What is a mono block amplifier?A monoblock amplifier is a 1 channel amp (mono literally means 1). Since bass is omnidirectional, meaning you can tell where it's coming from, it isn't necessary to run subwoofers in stereo. you may see 2 sets of speaker teminals on monoblock amps and they will be labeled as either speaker 1 and speaker 2 terminals, or simply + + and - -. that is because the two + terminals are connected to each other inside the amp, as are the two - terminals. The second set is there simply to make it easier to connect multiple speakers to the amplifier. Do not confuse the two sets of terminals as separate channels. if you're not sure whether an amp is a mono or two channel amp, you can look at the labels above the speaker terminals. a multichannel amplifier will have the separate channels labeled as Left and Right, or L and R. What does Class D mean?An amplifier's Class refers to the amplifier's output stage. Although a Class D amplifier can also be a digital amp, the "D" does not stand for digital. What "Class D" does signify is that certain parts of this amplifier turn On/Off to create a signal instead of constantly varing the voltage or current. Changing how long these parts are On or Off changes what you hear. Class A and Class A/B amplifiers are always "On" to some extent, being more or less On as the audio being amplified calls for. The benefit of Class D topology is that current only flows when the parts are On, meaning they run cooler and are more efficient. The problem is that the switching creates distortion, so a low pass filter must be used to counter the distortion produced, because of certain characteristics of the parts used in this circuit, it is much easier to adapt Class D technology for low frequency (subwoofers) applications than for full range speakers. See the Technology section to learn more about MTX Patented Adaptive Class D Technology and its added benefits. What are the RCA to speaker wire cables for that came in the box?Most MTX amplifiers feature a patented auto sensing turn on technology called Smart Engage. Smart Egage technology allows you to use the signal sent through the full range speakers in your car as the remote turn on mechanism for your amplifier rather than having to install a remote wire from the head unit to the amplifier. This is especially convenient if you are using a factory head unit as it allows you to install the amplifier in most instances without having to remove the head unit making for an easier and faster installation. What does the input sensitivity adjustment on my amplifier do?The input sensitiviy adjustment, or Gain, on an amplifier is designed to match the input voltage of the amplifier with the output voltage of the head unit (source). Different head units have different pre-out voltages, 2v, 4v...8v. Unfortunately, no one tells you what that means or why they're offered. the speaker level output of your head unit has been amplified internally, the pre-outs have not. everything that an audio signal has to pass through will lower the "quality" of the signal by adding it's own distortion to it. in most cases, it's so little we can't hear it, but it adds up. since the pre-out signal has not been amplified in the head unit, which is why it's considered to be a "cleaner" signal to send to an amplifier. the higher the signal voltage, the better the signal to noise ratio, which is why you see higher pre-out voltages with more expensive head units. How do I bridge my amplifier?Bridging an amplifier is often most useful when you have a 2-channel amplifier that you want to use to run as a mono channel or a 4-channel amplifier that you want to run as a 2-channel amplifier. Bridging is the combination of the left and right channels of an amplifier, using one terminal from each side, to make 1 (mono) channel with a higher output than either channel running separately. A mono block amplifier has only 1 channel and cannot be bridged. The 2 outputs of a mono block amplifier are there to easily connect multiple subwoofers. If you are not sure whether your amp is a mono block or a multi-channel model, look at the speaker terminals. Multi-channel amplifiers are labeled Left and Right while mono block amplifiers are labeled Speaker 1 and Speaker 2. Every amplifier has different requirements for bridging, so consult your manual or installation instructions before making any connections. What size power wire do I need to connect my amplifier to my battery?As a general rule you should use the largest gauge power wire that your amplifier's input terminal is designed to accept. For example, if your amplifier has a 4 AWG power and ground wire input you should use a 4 AWG power wire. Consult your owners manual or installation instructions if you are unsure what size input terminal your amplifier has. My amplifier is going into thermal protection, what can I do?Thermal protection is not a defect in your amplifier. Every amplifier has thermal protection built into it as a safety precaution against damaging critical electronic components within the amplifier due to excess heat. The amplifier once cooled down will resume playback. If your amplifier is going into thermal protection often, check the setting of your input sensitivity to ensure that it is properly set to match the output voltage of your source unit. You can also lower the volume on your source unit to increase the intervals between thermal events. What is volume displacement?Volume displacement is the amount of air that a subwoofer or speaker can move during use. Volume displacement relates to the speakers ability to generate higher levels of SPL. Volume Displacement is calculated by multiplying the Surface Diameter (Sd) of a subwoofer, most often measured in square inches in the U.S., times the Xmax of that subwoofer, most often measured in inches in the U.S., with the resulting volume displacement number being measured in cubic inches. The final equation then looks like this: Vd = Sd*xmax. The values for Vd, Sd, and Xmax can most often be found in the Thiele/Small parameters of the subwoofer. Does a subwoofer sound different if it is reverse mounted?A subwoofer that is reverse mounted will not sound any different than a subwoofer that is mounted traditionally. The advantage to reverse mounting a subwoofer is that you can use a much smaller enclosure since the volume taken up by the subwoofer would not be a factor as it would be mounted outside of the enclosure. What is the difference between an MTX square subwoofer and a Kicker square subwoofer?The difference between the MTX and Kicker square subwoofers is that the MTX TS series speakers have a patented surround design that increases the mechanical excursion by 20% and the Surface Diameter by 10% over the Kicker L series subwoofers resulting in greater Volume Displacement and consequently SPL levels. How can I eliminate the rattle my car has when I play my subs?Subwoofer frequencies often generate a considerable amount of rattle when played at high volumes in cars. The best way to eliminate rattling is to use a sound dampening material to absorb the soundwaves created by the subwoofer before they can reverberate and rattle parts in your vehicle. Sound dampening material is an adhesive material that can be stuck to the inside of doors, the headliner, the trunk or anywhere else a rattle can be heard. MTX recommends ZeroNoise NoiseKiller Mat from StreetWires as an excellent sound dampening option. My subwoofers are distorted, what is wrong?If your subwoofers are distorted you may have the input sensitivity (gain) on your amplifier incorrectly set. Distortion is caused when a soundwave has its amplitude adjusted from a traditional sine wave (round peaks) to a square soundwave (square peaks). Square waves are caused when the input sensitivity (gain) is set in excess of the output voltage of the source unit (ie. radio) and the volume is turned up louder than when the amplifier was set. This "amplified" signal results in the square soundwaves that you hear as distortion. You can use an ossiloscope to check the output wave if you have one available or you can use a multimeter and measure the output voltage of the amplifier at the speaker terminal and then use this calculation to determine if your gain is set correctly. Voltage equals the square root of RMS Power times Resistance. For example if you have a 1000W RMS amplifier connected to a 2O subwoofer the optimum voltage should be 44.72V. You can adjust the gain up or down while measuring the voltage until the multimeter measures that voltage and your amplifier would be properly set and the distortion should be eliminated.
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MTX Audio is a proud part of the Mitek Electronics & Communications Group which is a privately held, American owned corporation that manufactures high quality mobile, residential, and commercial audio products. We are always looking for hard working people to join our team and help us to continue the MTX and Mitek tradition of delivering American engineered and manufactured high quality audio products. Click the link below to visit our corporate Human Resources page at www.mitekusa.com to see listings for open positions and to upload your resume.
CatalogWallpapersTest Tones
Download the test tones below to help set up the amplifier in your system. The 50Hz tone can be used to set up your subwoofer amplifier and the 1kHz tones can be used to set up your full range amplifier. The pink noise track can be used to test to make sure that your speakers are working. Call our tech support line at 1-800-CALL-MTX if you need help or have any questions.
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